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Lightworks adobe premiere
Lightworks adobe premiere







lightworks adobe premiere

How do you begin a project/set up your workspace? After graduating, I met Josh Senior and started cutting videos at Senior Post which lead to opportunities cutting for television, starting with comedy specials and then leading to scripted shows like “Ramy” and “The Bear.” From that point on I only took classes related to postproduction. Something about getting to experience the editing process in a tangible way really made me appreciate it even more. Later, I attended NYU’s undergraduate film program and really fell in love with editing while taking a class called Sight & Sound Film where we’d shoot on 16mm film and then actually cut and tape the footage together on Steenbecks. I would spend hours putting them together on iMovie.

lightworks adobe premiere

Naugle: My exposure to editing started with silly projects my siblings and I would make with our dad’s video camera when we were kids. How and where did you first learn to edit? “Premiere was the only editing software we could have used for this project since it was so efficient and seamless with After Effects,” added Joanna Naugle, editor of Molli and Max In The Future. “One of the biggest timesavers was being able to just copy-paste clips from Premiere into After Effects and avoid any in-between steps,” shared director Michael Lukk Litwak. Given the film’s over 900 VFX shots, the duo had to grapple with the task of creating a streamlined and organized process for cutting and reviewing raw footage repeatedly.

lightworks adobe premiere lightworks adobe premiere

We spoke with director Michael Lukk Litwak and editor Joanna Naugle about their collaborative post-production process, and how Adobe’s creative cloud tools played a crucial role in their editing workflow. With the help of Premiere Pro, After Effects, and Frame.io, the filmmakers were equipped with the cutting-edge technology to turn their futuristic vision into a cinematic reality. This genre-bending film challenged its filmmakers to explore new creative frontiers, particularly in their editing process due to the abundance of VFX shots they had to work with. Behind the Scenes of Molli and Max In The Future: Crafting an out of this world rom-comĪ Sci-Fi romantic comedy set in an absurd world, Molli and Max In The Future brings us one billion years into the future, and back again, following the unlikely love story of two polar opposites whose lives intersect over the course of 12 years, four planets, three dimensions, and one mysterious space-cult.









Lightworks adobe premiere